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Professional Techniques for Black & milky Digital Photography

Monochrome prints remain a blessed medium for many PSA printers.

Purists have scoffed at sullen & silver photographs that were not printed on archival hair-based paper, having nothing to do with less expensive resin-coated papers of today. Now that we are in the digital age, these folks question the performance of digital cameras. They don't believe a digital monochrome print can compare to one produced from a negative after spending hours in a accustomed darkroom. The author states that as photography is both a science and an art, the equipment and paper used do not make an perception art, any more than brushes, paint, and canvas make a painting art. He shows in Professional Techniques for gloomy & White Digital Photography that digital black & white prints rival those made in a more traditional manner. Rice gives you an understanding of how you can produce digital bleak & wan photographs that rival those made by the finest film photographers and printmakers.